The central characters are all archetypes moral or emotional pillars giving the story depth and universal significance. The beauty and continued interest in The Jungle Book probably comes from the fact that it’s not just a survival of the fittest tale. Whether or not he will be able to bridge the gap and bring peace to both man and beast is left unanswered, possibly hinting at a sequel in the future. Bhoot’s tragic fate serves as timely reminder to the boy that he cannot be truly at home with the humans while they pose a threat to his beloved jungle. There is also a subplot involving an unwanted albino wolf cub called Bhoot (Louis Ashbourne Serkis) whose story is a poignant parallel to Mowgli’s. As the hyena says to him with uncharacteristic depth, “I wake up and believe I’m a tiger, but I will always be a hyena”. But there are those who never allow him to forget that he is an ‘outsider’ who can never really belong. In many ways Mowgli is a refugee, a child escaping death who finds a home and love. Questions of belonging, identity, and creating homes amongst people who are not necessarily your own. While the film piques our curiosity of how a human child will survive among animals, it also raises questions that people around the world are struggling to answer today. Though the story is set in the last century, issues of shrinking animal habitats, poaching, and the dangers that man and beast pose to each other are all woven into the narrative. Baloo is more kind-hearted drill sergeant training young wolves, while Kaa (Cate Blanchett) is a wise all-knowing snake whose scales are brilliantly used in a scene as mirrors or screens that offer glimpses of the past and the future. While Bagheera and Mowgli’s mother Nisha (Naome Harris) retain their familiar qualities, characters like Baloo and Kaa who were previously portrayed as comic, are refreshingly different in this film.
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Yet the ‘wild’ has its honour code that Mowgli has to learn to live by.
You can barely breathe yourself, realising that for Mowgli, any moment can be his last. We watch in horror and wonder as the blood from the tiger’s jaw colours the water, and some errant air bubbles escape from Mowgli’s mouth, almost giving him away. A telling scene is one where Mowgli swimming in a pond sees Sher Khan approaching and hides underwater. There is no attempt at censoring what life in the jungle is really like - dark, visceral and vulnerable.
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The movie opens with the death of Mowgli’s human parents, and we first see him covered in their blood. Serkis’s adaptation, written by Callie Kloves, subverts the image of the ‘exotic Indian jungle’ and snake charming brown people by making this tale real and relevant. While his constant ‘otherness’ seems like a burden to him initially, can this fluid identity become the need of the hour as man and beast struggle for survival in a rapidly shrinking jungle? But having grown in a jungle, Mowgli can’t really belong amongst his race either. When Sher Khan returns and poses a threat to his life, Bagheera makes sure Mowgli is sent away to a human settlement at the edge of the forest. As he gets older, questions about his identity and his obvious physical differences start bothering him. Mowgli (Rohan Chand) grows up like his wolf brothers in many ways running using all four limbs, eating his meat raw, getting lessons from Baloo ( Andy Serkis), hunting for animals and practising for a running challenge that determine his future in jungle. A panther, Bagheera (Christian Bale) picks up the little boy and leaves him outside the cave of a wolf family who decide to raise him as their own son, a child they name Mowgli. A small human baby is found in the jungle after his parents are killed by the man-eating tiger Sher Khan (Benedict Cumberbatch). Pictures production was bought by Netflix for distribution and will also see limited theatrical release in America. Directed by Andy Serkis, the film boasts of a formidable cast of actors who have provided voice and motion capture movements, and is designed to be more faithful to Kipling’s original stories which portrayed the brutality and vulnerability of the jungle and those who lived in it.Īndy Serkis, who is best known for his motion capture work as Gollum in the LOTR trilogy, and the Planet of the Apes revival series, first started work on Mowgli almost seven years ago. Mowgli- Legend of the Jungle, the latest adaptation of Kipling’s classic tale, is a departure from its more child friendly predecessors.
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